Filmography
20+ Years.
21 Productions.
4 In Development.
A complete record of credited and substantive uncredited work from Big Fish in 2003 to the present. Currently in active production as Lead Producer on four projects as well as supporting the building of a new studio Monarch Universal Pictures.
4
Currently in production
40+
Total award wins
7
Oscar-nominated productions
21
Productions completed
2003
First production credit
By Studio
Uncredited roles are listed where the contribution was substantive. All IMDB links are verified.
Credit Key
In Development
Credited Role
Additional contribution
In Development · 2024–Present
LEAD PRODUCER
New York Yankees Documentary
Feature documentary charting one of the most turbulent and compelling periods in New York Yankees history. Producing end-to-end — from development and financing through to delivery and distribution. A story that has never been told in full on screen, with deep archival access and direct involvement from key figures from the period.
Feature Documentary
Sports / human interest
In Development
Monarch — Holiday Feature
Holiday feature film in active development with Monarch Entertainment. Leading production end-to-end — creative development, production infrastructure, financing, and distribution positioning.
Feature Film
Holiday
In Development
Monarch — Western
Western feature film in active development with Monarch Entertainment. Full production responsibility from script development through post and delivery.
Feature Film
western
In Development
Monarch — Romantic Feature Slate
A slate of 3–5 romantic feature films in active development with Monarch Entertainment, targeting the Hallmark and streaming platform market. Producing the full slate simultaneously — development, production infrastructure, and distribution strategy across multiple titles.
3–5 Film Slate
Romantic Feature
Hallmark / Streaming
In Development
Recent work • 2022-2023
Baobab Studios · 2020–2021
Namoo
Post Production · Marketing Campaign · Awards Season · Art Book Producer
2021
Baobab Studios / HBOmax
Full post production support and marketing campaign for Baobab's hand-painted VR animated short. Produced the Art of Namoo book — a limited-edition physical publication accompanying the release. One of a team of five running the awards and festival campaigns. Worked directly with HBOmax and Baobab Studios on streaming delivery and processing. Applied the Building Block awards framework developed across the LAIKA slate to the VR short format.
Annie Award Win · Best Special Production
Oscar Shortlisted · Best Animated Short
Oscar Shortlisted · Best Animated Short
Baba Yaga
Marketing Consultant · Awards Season & Marketing Support
2020
Baobab Studios
Awards season and marketing support running concurrently with Namoo. First application of the Building Block production framework — developed across five LAIKA features — to a VR production context. Delivered campaign assets, awards submissions, and festival materials alongside the Namoo campaign during the same awards cycle.
3 Daytime Emmy Wins
Annie Nominated · Multiple Categories
Telly Awards · Gold Winner
LAIKA, LLC · 2009–2019
Missing Link
Media Services — Cross-Department Efficiencies · Consumer Products · Social Media · International Delivery
2019
LAIKA, LLC
Led department and cross-department efficiencies for the established Media Services team. Developed in-house talent and improved the quality and scope of work across consumer products, social media, and field and publicity promotions. Maintained full post work for final movie delivery, trailers, TV spots, DVD extras, and featurettes. With the appointment of a sales agent, expanded support and delivery of content to all international distributors.
Golden Globe Win · Best Animated Feature
Oscar Nominated · Best Animated Feature
PGA Nominated
Kubo and the Two Strings
Media Services — Consumer Products Launch · Social Media · Colour Pipeline · EPK & Style Guide
2016
LAIKA, LLC
Oversaw the hiring and management of companies for new consumer products and social media initiatives, while developing an internal team to bring creative support in-house. Delivered the conformed final feature film to Technicolor for colour grading. Supported all post work for trailers, TV spots, DVD extras, and featurettes. Organised and produced content for EPK, Style Guide, and promotional items for all domestic and international distributors.
BAFTA Win · Best Animated Film
Oscar Nominated · Best Animated Feature
Oscar Nominated · Best Visual Effects
The Boxtrolls
Media Services — Partnerships & Field Promotions · Delivery · Pipeline
2014
LAIKA, LLC
Supervised the expansion of Media Services responsibilities to create content for movie partnerships and field promotions. Delivered updated budgets and planning for the studio to grow in these areas. Maintained full support for feature film delivery and post services. Organised and produced content for EPK, Style Guide, and promotional items. Updated and improved the colour pipeline ahead of post production.
Oscar Nominated · Best Animated Feature
BAFTA Nominated
VES Nominated
ParaNorman
Media Services · Stand-in Post Production Supervisor · Workflow Architecture · Dragonframe Co-Development
2012
LAIKA, LLC
Continued oversight of the Media Services team. Served as stand-in Post Production Supervisor until a full-time appointment was made. Partnered with all department heads to analyse workflows, establish naming conventions, and integrate Shotgun across the studio. Co-developed Dragonframe with Dragon Stop Motion — now the global industry standard for stop-motion animation capture, used on virtually every stop-motion production worldwide.
Oscar Nominated · Best Animated Feature
BAFTA Nominated
Saturn Award Nominated
Coraline
Led Media Services — Built Studio's Production, Colour & Animation Pipelines from Zero
2009
LAIKA, LLC
Led the Media Services team and partnered with the Production Technology group to build LAIKA's initial production, colour, and animation pipelines from the ground up. Delivered the final feature film to Technicolor for colour grading. Planned and managed the budget for all IT equipment across the production. The infrastructure built for Coraline became the foundation every subsequent LAIKA production was built on.
Oscar Nominated · Best Animated Feature
BAFTA Nominated
Saturn Award Nominated
Consultancy · Various Studios · 2007–2018
The Pirates! Band of Misfits
Additional Contribution · 3D Pipeline & Animation Capture Consultancy
Consultancy for the implementation of the 3D pipeline and animation capture systems. Drew directly on the workflow architecture and capture system expertise developed at LAIKA during Coraline and ParaNorman to support Aardman's transition into stereoscopic 3D stop-motion production.
BAFTA Nominated · Best Animated Film
2012
Sony Pictures / Aardman Animations
A Very Harold & Kumar 3D Christmas
Additional Contribution · Stereography & Post Production Support · Stop Motion Sequence
2011
Warner Bros.
Stereography and post production support for the stop motion sequence within the film. Brought specialist knowledge of stereoscopic systems and post pipeline to a live-action production requiring the hybrid integration of a practical animation sequence into a stereoscopic 3D release.
Fantastic Mr. Fox
Additional Contribution · Colour Pipeline, Animation Capture & Production Database Consultancy
2009
20th Century Fox
Consultancy on colour pipeline design, animation capture systems, and production database implementation for Wes Anderson's stop-motion feature. The pipeline expertise drawn from building LAIKA's infrastructure from scratch for Coraline translated directly to the specific challenges of a high-end stop-motion production at a different studio.
Oscar Nominated · Best Animated Feature
BAFTA Nominated
Golden Globe Nominated
Sunshine
Additional Contribution · IT Consultancy & Pre-Production Support
2007
20th Century Fox
IT consultancy and support during pre-production as Danny Boyle's production moved into the studio space vacated by Corpse Bride's completion. Supported the transition of the facility and provided technical continuity between the two productions during the handover period.
Warner Bros. · 2003–2005
Corpse Bride
Digital Systems Supervisor · Colour Pipeline · IT Lead · Warner Bros. Partnership · Production Archive
2005
Warner Bros.
One of the first hires on the production. Led the group responsible for purchasing all IT equipment for a company of 200+ employees, with planning and review of a multi-million dollar technology budget. Designed and implemented the colour pipeline for delivery with the post house — the first fully digital colour pipeline ever built for a stop-motion animated feature film. Partnered with Warner Bros. Marketing and Publicity groups to supply production content. The last person on the production — handled the complete handover to Warner Bros. archives.
Oscar Nominated · Best Animated Feature
BAFTA Nominated
Saturn Award · Best Animated Film
Charlie and the Chocolate Factory
Additional Contribution · Post & Editorial Support
Post production and editorial support for Jessie Thiele and editor Chris Lebenzon, running concurrently with Corpse Bride at Warner Bros. Both productions were Tim Burton films running simultaneously, making cross-production support a natural part of the workflow.
BAFTA Nominated · Best Production Design
Saturn Award · Best Fantasy Film
2005
Warner Bros.
Early Career · 2003
Big Fish
Additional Contribution · Editorial Support
2003
Sony Pictures / Columbia Pictures
Editorial support for Chris Lebenzon — the entry point into the film production world, and the beginning of a working relationship with Lebenzon that continued through Charlie and the Chocolate Factory and Corpse Bride. Tim Burton's Big Fish grossed $122M worldwide and remains one of the director's most enduring films.
Golden Globe Nominated
Saturn Award Nominated
The credits above represent both formal screen credits and roles where the contribution was substantive enough to document. The uncredited work — particularly during 2003–2012 — reflects a period when digital and stereoscopic production infrastructure was being invented rather than inherited. The consultancy work across studios during the LAIKA years demonstrates that the pipeline expertise developed in-house was recognised and sought after across the industry. The work speaks for itself.