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20 Years of Building the Infrastructure Behind Extraordinary Films

Five case studies. One through-line: creating the systems that let remarkable creative work reach the audiences it deserves.

Five Films. One Community. 32 Million People.

LAIKA Social Strategy
2014 - 2019

LAIKA makes films by hand — twelve frames per second, four to six seconds of footage per week. The studio had extraordinary things to show. The challenge was learning the difference between what the studio found impressive and what an audience found meaningful. The shift was in asking a different question. Not "how do we explain this?" but "how do we let someone discover it?"

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32.6M

People reached organically

152,968

Community members built

4.58%

Engagement rate vs

1–3% benchmark

£0

Paid media spend

Zero to £1M. Building LAIKA's Licensing Engine from Scratch.

Consumer Products
2017 - 2019

In 2017 LAIKA had zero consumer products revenue. By 2019 there was a full licensing engine, over 25 global partners, and 150+ products on the market. This is the story of using live events as a real-time R&D laboratory — from the Portland Art Museum to SDCC to Coraline orchestral concerts — and the non-negotiable commitment that made every product a genuine extension of the films.

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£1M

DTC revenue built from zero

25+

Global licensees signed

150+

Products to market

3yrs

Zero to full programme

The Operational Architecture Behind Six Award Seasons.

Building Block System
2012 - 2019

Stop-motion produces four seconds of footage per week. The filmmakers are still on stage, frame by frame, while the awards machine is already running. The Building Block System — Distil. Plan. Construct. — was the answer. Pre-planned modular components built alongside production, not salvaged from it. The result was not just faster delivery. It was the ability to pursue the most effective ideas rather than the most achievable ones.

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90%

Reduction in content turnaround

48→6h

Delivery cycle improvement

6

Consecutive Oscar-nominated productions

2

Distribution studio campaigns fed simultaneously

Additional Work
Digital Pipeline · Warner Bros.

Pioneering the World's First Digital Stop-Motion Feature

Building the colour pipeline, animation capture systems, and delivery infrastructure for Corpse Bride — with no roadmap, while the cameras were already rolling.

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Baobab Studios · VR

Namoo — Emmy Wins, Oscar Shortlist, Art of Book

Post production, marketing campaign, awards season execution, and the Art of Namoo book for Baobab's hand-painted VR narrative. Three Daytime Emmy wins.

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Events & Experiential

Portland Art Museum — Record-Breaking LAIKA Exhibition

Designing, stocking, and managing the retail and experiential component of PAM's most successful exhibition install in a decade. Live R&D for the consumer products programme.

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